The beauty of our chosen instrument is the ability to play alone -solo- without the accompaniment (or interference) of others. Anything you can dream up is fair game when you are on your own. Based on a transcription of Cedar Walton playing "Someday My Prince Will Come," from his 2005 High Note album "Underground Memoirs," Part 1 in this series gives you the tools to play solo jazz piano by demonstrating and explaining the fundamental technique to this style, spread voicings with independent lead. Part 2 shows you how to mix rootless voicings into your solo playing. Part 3 demonstrates how to accompany your own improvisation when playing solo.
Tommy Flanagan's solo over the changes to the tune "The Very Thought of You," from his 1977 Denon release "Alone Too Long," opens this lesson and serves as a model for the use of spread and rootless voicings in solo jazz piano. This lesson builds on Solo Jazz Piano Part 1, in which the technique of playing solo jazz piano was established with the use of spread voicings. In addition to the analysis of Tommy Flanagan's transcription, "Come Rain or Come Shine," I Hear a Rhapsody," "These Foolish Things" and two more standard tunes are realized using these voicing techniques in this lesson.
Watch this short video for an overview of the content of this course.
Five Essential Seventh Chords
Rootless Voicings with Added Tension
Solo Jazz Piano Part 1
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"Thanks for the course it's beautiful!!" -Giulio
About the instructor
Bill did undergraduate work at the Berklee College of Music and holds the M.Mus. degree in Jazz Studies from the Boston Conservatory/Berklee College of Music where he studied with Ray Santisi and Charlie Banacos. Bill taught and played extensively around the Boston area for the better part of two decades appearing everywhere from the legendary Ryles Jazz Club in Cambridge MA to a long stand at the Hampshire House on Beacon Hill in Boston before relocating to the Raleigh-Durham NC area where he teaches full-time on JazzPianoOnline.com.