Improvising Over Someday My Prince Will Come

Lesson Description

The "Improvising Over . . ." series of lessons provides insight into how to improvise over the chord changes to important tunes in the jazz repertoire. Based on a transcription of a master musician improvising over the changes to a standard jazz tune, each lesson describes how the soloist uses chord tones, arpeggios, chordscale passages, approach patterns and other improvisational techniques to develop their solo. The onscreen practice sessions will take you from the lesson to the piano and help you get started improvising over these tunes.

This Disney classic was made famous as a jazz standard by Dave Brubeck and Miles Davis and has since become one of the hallmarks of the jazz repertoire. Often played as jazz waltz, improvising over it's particularly satisfying changes in 3/4 requires that you construct your lines differently than you would when soloing in 4/4 time. Learn about these differences in this lesson through an analysis of Sarah Jane Cion's solo over the changes to this tune from her book "The Pianist's Jammin' Handbook."

Preview

Watch this short video for an overview of the content of this course.

 

Prerequisites

The Five Essential 7th Chords
Improvisation - The Concept
Four Components of Melodic Construction

Study Support

Contact me with questions at any time.

Start a discussion with fellow students by clicking on the discussion link in your student control panel to leave a message or search previous conversations.

Consult the Lesson Road Map to for a suggested sequence of lessons.

To continue your study of this topic, face-to-face, live webcam lessons are available.

Testimonials

"Thanks for the latest (Solo Jazz Piano). Excellent job if I may say so. Your tuition/explanations very clear and a real incentive to work out arrangements on a host of tunes." -Harold

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What's included?

4 Videos
1 Survey
2 Texts
1 Download
Bill Rinehart
Bill Rinehart

About the instructor

Bill did undergraduate work at the Berklee College of Music and holds the M.Mus. degree in Jazz Studies from the Boston Conservatory/Berklee College of Music where he studied with Ray Santisi and Charlie Banacos. Bill taught and played extensively around the Boston area for the better part of two decades appearing everywhere from the legendary Ryles Jazz Club in Cambridge MA to a long stand at the Hampshire House on Beacon Hill in Boston before relocating to the Raleigh-Durham NC area where he teaches full-time on JazzPianoOnline.com.